The
multi-awarded group performed in mainstream clubs
on the East and West coasts, playing to stand up crowds
at the Viper Room on Sunset Boulevard in Hollywood;
the Armory in San Diego; South San Francisco Auditorium;
The Gig at Melrose Avenue, Hollywood; the Rhythm Lounge
at Downtown Long Beach; and the Knitting Factory,
Hollywood in the West coast.
In
the East Coast, the group performed at the Roxy in
New York, The Lisner Auditorium in Washington, D.C.,
Pickwick Theater at Park Ridge, Illinois and Maydenbauer
Center in Bellevue, Washington.
The
group, led by vocalist, keyboardist and musical director
Jay Durias, was in the Philippines for a series of
performances in Manila in June and July but is set
to launch the European leg of their concert tour in
mid-July. The group will perform at the Ulster Hall
in Belfast, Ireland on July 15 and at the Lampton
Park in Hounslow, London on July 16 for the 22nd Barrio
Fiesta sa London.
South
Border will be back in Manila in August, but only
for a while. In September the band will fly to the
land Down Under and play to Oz crowds on September
9. From Australia, the group goes straight to the
U.S. to fulfill commitments to become the headliners
for B.B. King, a chain of popular mainstream clubs
in the U.S. B.B. King’s clubs are located all
over the U.S., among them, Universal City Walk in
California, New York; Nashville and Memphis, in Tennessee
where the music legend, B.B. King himself, owns the
club.
RAVES
IN THE U.S., SHOWS AT B.B. KING’S
While
in the U.S, music critics say they have all been waiting
for the Asian Invasion. “South Border is just
the group to bring it in,” says Gian Fiero,
TV and music licensing specialist in California whose
professional opinion is highly sought after by gifted
music artists in every country. His comprehensive
and insightful reviews have garnered the attention
and respect of publicists, marketing companies, labels,
managers, music business professionals, and music
artists alike.
Lucy
Slattery, Sharon Inductivo’s co-manager of South
Border who takes care of the business in the U.S,
says South Border has a very big chance of making
it in the mainstream international market. “From
their very first show here at the Viper Room, everybody
has been telling me that the group is going to be
big in the U.S. I have never received any negative
feedback at all about the group. All I hear is raves
and positive comments, and it’s so motivating.”
“In
fact, the South Border CDs that were brought here
by the group have been sold out so we had to ask the
Manila office to send a couple of hundred more,”
continues Lucy. “What is so heartening is that
those who bought the CDs at the show at B.B. King’s
were all Americans. We’re also very grateful
for the support of the Filipino fans here in the U.S.
because they came to watch South Border, not just
once but three times. There were even some fans who
drove six to seven hours from Los Angeles to San Francisco
just to see them perform again the next day.”
MUSIC
NOT ABOUT COLOR AND RACE BUT GOOD QUALITY
The
South Border managers report that Filipino groups
have also formed South Border Street Teams in different
countries. The group is composed of volunteer fans
who help promote the Filipino band abroad. South Border
fans all over the world can register for
this group at www.thesbstreetteam.com. South Border
Street Teams already exist in Japan, Malaysia, Switzerland,
Ireland, Germany, London, Australia, Italy, Thailand,
Dubai, Canada, the United States and the Philippines.
Lucy
and Sharon said the most unforgettable comment they
ever got about South Border in the States came from
Bruce Penn of BAP Media in New York and who was former
manager of the group Allure. Penn said, “South
Border doesn’t sound Filipino. They sound like
true musicians. This means their music has nothing
to do with color and race. They’re all about
good quality music.”