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Guillen, Kashiwahara and Abaya honored in Women’s Filmfest
 
From the directors who brought you
‘Salome,’ ‘Karnal’ and ‘Alkitrang Dugo’
 
 
THE International Women’s Film Festival, with the theme “Women Refigured: Making Choices, Creating Changes, Crossing Boundaries,” held from March 5 to 8, honored three Filipino women in film.

The Diwata Awards, an annual recognition given by the University of the Philippines Film Institute, were awarded to filmmakers Lupita Aquino Kashiwahara, Laurice Guillen, and Marilou Diaz-Abaya.

Kashiwahara is known as the director of the 1976 classic, Minsa’y Isang Gamu-Gamo, which tackles themes of oppression brought about by the country’s colonized Making Choices, Creating Changes, Crossing Boundaries,” held from March 5 to 8, honored three Filipino women in film.

The Diwata Awards, an annual recognition given by the University of the Philippines Film Institute, were awarded to filmmakers Lupita Aquino Kashiwahara, Laurice Guillen, and Marilou Diaz-Abaya.

Kashiwahara is known as the director of the 1976 classic, Minsa’y Isang Gamu-Gamo, which tackles themes of oppression brought about by the country’s colonized state. Though she is now known as a political image consultant, most notably for President Gloria Macapagal-Arroyo, her films such as Alkitrang Dugo (1975), Hati Tayo sa Magdamag (1980), and Babae (1997) made a mark in telling stories about women in Philippine cinema.

Though Guillen was once better known as an actress than as a director, the reverse is now true. She has become one of the country’s most recognized filmmakers, known for delineating the plight of different women. Her film about a seductress, Salome (1981), is regarded as one of the best films in Philippine cinema. Award-winners such as Tanging Yaman office hits, demonstrating the quality and mass appeal of her work.

Diaz-Abaya herself boasts of a long list of award-winning films. But it is her movies about women such as Brutal (1980), Moral (1983), and Karnal (1983) that put her on the same plane as film originals like Lino Broka and Ishmael Bernal.
 
 
The International Women’s Film Festival also honored new filmmakers via the Women’s International Short Film and Video Competition. Already on its second year, the contest attracted a total of 38 films from Australia, China, Singapore, and the Philippines. First Prize went to China’s North World by Chen Beini. Australia’s Filled with Water by Elka Kerkshof won second prize, while the Philippines’ Saling Pusa by Antoinette Jadaone took the third prize. Honorable Mentions went to the Philippines’ Alagwa by Pia Augusta Agatep and Precious Ann Tayag; and Sakdal Laya by Tey Clamor.
 
 
by Ronalisa Co
 
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